Exhibitions
Take A Virtual Tour
Love It and Leave It: A Legacy of Gifts to the Ateneo Art Gallery
First Floor
The Print Folio
Second Floor
Ateneo Art Awards 2018
Third Floor
Inscapes: A Retrospective by Agnes Arellano
Combining several sculptures created from 1983 to 1996, Agnes Arellano retraces her life's journey through works that dwell on the themes of Sacred Feminine, Eros, yin and yang, mythology, and psychology among other inspirations. See online this outdoor installation from the Ignacio B Gimenez Amphitheater in Areté.
Past & Present: Oca Villamiel
Featuring works from the late 2000s to the most recent, Past & Present by Oca Villamiel surveys his practice governed by the restorative acts of collecting and creating, salvaging and mending. Join the artist in this walkthrough video where he ruminates about his practice, his influences, and his take on the realities of humankind.
Islands for Sale: Pete Jimenez
Islands for Sale, which emerged from Pete Jimenez’s practice of repurposing waste, is a commentary on the territorial dispute in the West Philippine Sea. An installation made out of decommissioned rescue boats, Jimenez invites viewers to explore these vessels and to reflect on the spoiling and exploitation of our natural land and resources.
INK Story: 30 Years of Ang Ilustrador ng Kabataan
What's your INK story? Explore online Ang Ilustrador ng Kabataan's (Ang INK) 30th anniversary show as they present a fresh collection of artwork sharing their personal experiences in response to the prompt.
Muntadas: Exercises on Past and Present Memories
Renowned conceptual artist Antoni Muntadas launches his first exhibition in Manila titled Muntadas: Exercises on Past and Present Memories. Using the Manila Galleon trade as framework for the exhibition, Muntadas presents three projects that translate memories and histories of the Philippines and Spain and its relevance to contemporary history.
Pio Abad: Fear of Freedom Makes Us See Ghosts
Fear of Freedom Makes Us See Ghosts is a major solo exhibition by artist Pio Abad. The exhibition is the culmination of Abad’s ten-year project that examines the conjugal dictatorship of Ferdinand and Imelda Marcos (1965 – 1986) by excavating silenced histories, devising actions, and remaking an inventory of objects tainted by the regime’s corruption.
Weaving Women’s Words on Wounds of War
WWWWW is an exhibition of artworks collectively made with communities of women who endured the punishing impact of impunity during the Martial Law regime.
Welcome to the Ateneo Art Gallery.
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